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Music theory for understanding the modes of the major scale.
Murdy: Hey Marlowe, I bought the L253 in order toget the backing track. However, there is no backing track without the bass. Is there a way to get this?
hank: Thanks Marlowe! I guess I better start saving up. I can't wait to get one. I'm positive if I get one then my playing automatically gets funkier right?
MarloweDK: Hank: my sig bass will be presented at the Frankfurt musik messe in march. I dont know of the price but i guess it will be priced in the same range as Sandbergs California models. There is a couple of american retailers, check Sandbergs site.
soporific: Hi guys!
Harry Popper: hi, GospelBassMan
GospelBassMan: Hello community!!
hank: Will your bass be mass produced? Do you think it will be affordable (relatively speaking) Will it be offered online for us Americans that wanna buy it?
chooty: Thank you very much.
MarloweDK: Im really not into playalongs these days, more fun (and meaningfull for me) to do original music
MarloweDK: My sig bass is going to be released at the Frankfurt musikmesse in midmarch. I dont know anything about price yet
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ChimpSoprano said,
January 1, 2011 @ 8:25 pm
Hi Casimer
Really enjoying your tutorials and belated congtrats to securing the scholorship – much deserved. Just a comment on modal approach and my experience with introducing this concept to my students who are new to theory – usually approaching these scales as patterns put people off – or it becomes a memorising game – instead, I utilise the concept of just learing the 1 Major scale then I get them to start on different notes i.e. C Major (C to C) Ionian (D – D) Dorian etc…it takes a bit longer to command but then they aren’t relying on trying to remember all these scale patterns…and the parent Major approach opens up the improvisation possiblities…Cheers…CS