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	<title>Comments on: Minor 7 chord improvisation with scale substitution</title>
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	<link>http://playbassnow.com/playing-styles/fingerstyle/minor-7-chord-improvisation-with-scale-substitution/</link>
	<description>Tips on playing the electric bass with MarloweDK Video lessons, practice advice, Bass lick of the day (this feed is only displaying a FRACTION of the licks ). Get more licks at the playbassnow.com</description>
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	<item>
		<title>By: bass1962</title>
		<link>http://playbassnow.com/playing-styles/fingerstyle/minor-7-chord-improvisation-with-scale-substitution/comment-page-1/#comment-4795</link>
		<dc:creator>bass1962</dc:creator>
		<pubDate>Mon, 16 Aug 2010 03:36:30 +0000</pubDate>
		<guid isPermaLink="false">http://playbassnow.com/?p=3600#comment-4795</guid>
		<description>Thanks Marlow for opening up my ears and eyes</description>
		<content:encoded><![CDATA[<p>Thanks Marlow for opening up my ears and eyes</p>
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	<item>
		<title>By: MarloweDK</title>
		<link>http://playbassnow.com/playing-styles/fingerstyle/minor-7-chord-improvisation-with-scale-substitution/comment-page-1/#comment-3721</link>
		<dc:creator>MarloweDK</dc:creator>
		<pubDate>Fri, 07 May 2010 18:43:14 +0000</pubDate>
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		<description>Basically yes, but i avoid using the 6th mode on a static minor7 chord - im not playing Dm aolian over a Dm7 chord groove if the band is playing the bluesy kind of groove - because its common to play the major 6 scale interval and not the more &quot;gloomy&quot; minor 6 which is in the aolian scale.
And if you play the Bb major scale over Dm7, you will get a minor 2nd and minor 6th - ouch.
Remember we are only talking about playing over a static Dm7 in a blues, jazz rock setting.
If you played with a neo metal band you would maybe favor the aolian or phrygian modes - it also a question of music style.
And more rules apply if we are playing over a chord progression in a minor KEY - this is just a static chord groove
But back to yuor question and...
What i would rather do - is playing some of the modes of the C major scale on the Dm7 chord groove:
C major ionian and/or C major pentatonic
Dm dorian and/or D minor pentatonic (of course)
Em phrygian and/or E minor pentatonic
F major lydian and/or F major pentatonic
G mixolydian and/or G major pentatonic
Am aolian and/or A minor pentatonic
Bm locrian

These all contain the same notes, but you target the notes differently by &quot;cheating&quot; the brain to see new patterns
I plan do more videos on the subject:-)</description>
		<content:encoded><![CDATA[<p>Basically yes, but i avoid using the 6th mode on a static minor7 chord &#8211; im not playing Dm aolian over a Dm7 chord groove if the band is playing the bluesy kind of groove &#8211; because its common to play the major 6 scale interval and not the more &#8220;gloomy&#8221; minor 6 which is in the aolian scale.<br />
And if you play the Bb major scale over Dm7, you will get a minor 2nd and minor 6th &#8211; ouch.<br />
Remember we are only talking about playing over a static Dm7 in a blues, jazz rock setting.<br />
If you played with a neo metal band you would maybe favor the aolian or phrygian modes &#8211; it also a question of music style.<br />
And more rules apply if we are playing over a chord progression in a minor KEY &#8211; this is just a static chord groove<br />
But back to yuor question and&#8230;<br />
What i would rather do &#8211; is playing some of the modes of the C major scale on the Dm7 chord groove:<br />
C major ionian and/or C major pentatonic<br />
Dm dorian and/or D minor pentatonic (of course)<br />
Em phrygian and/or E minor pentatonic<br />
F major lydian and/or F major pentatonic<br />
G mixolydian and/or G major pentatonic<br />
Am aolian and/or A minor pentatonic<br />
Bm locrian</p>
<p>These all contain the same notes, but you target the notes differently by &#8220;cheating&#8221; the brain to see new patterns<br />
I plan do more videos on the subject:-)</p>
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	<item>
		<title>By: Funkyjack</title>
		<link>http://playbassnow.com/playing-styles/fingerstyle/minor-7-chord-improvisation-with-scale-substitution/comment-page-1/#comment-3715</link>
		<dc:creator>Funkyjack</dc:creator>
		<pubDate>Fri, 07 May 2010 17:45:28 +0000</pubDate>
		<guid isPermaLink="false">http://playbassnow.com/?p=3600#comment-3715</guid>
		<description>Hey!
This is usefull!
Let&#039;s see if I get this all right.


The chord is (D)m7 and is the only chord in this &quot;song&quot; right? So you can play a (C, root) major scale.

But, m7 is also used in the third and the sixt mode.
So you can &quot;choose&quot; which mode/scale?

On this lesson you can play (over Dm7):
C major scale, Dm7 is Dorian (Second mode).
Bb major scale, Dm7 is Phrygian (Third mode).
F Major scale, Dm7 is Aeolian (Sixt mode).

Is this right?

Do you want to explain and show this in a video? Do you know which scales are also playable over a m7, or is this it (+pentatonic&amp;blues)?

Thanks!:D</description>
		<content:encoded><![CDATA[<p>Hey!<br />
This is usefull!<br />
Let&#8217;s see if I get this all right.</p>
<p>The chord is (D)m7 and is the only chord in this &#8220;song&#8221; right? So you can play a (C, root) major scale.</p>
<p>But, m7 is also used in the third and the sixt mode.<br />
So you can &#8220;choose&#8221; which mode/scale?</p>
<p>On this lesson you can play (over Dm7):<br />
C major scale, Dm7 is Dorian (Second mode).<br />
Bb major scale, Dm7 is Phrygian (Third mode).<br />
F Major scale, Dm7 is Aeolian (Sixt mode).</p>
<p>Is this right?</p>
<p>Do you want to explain and show this in a video? Do you know which scales are also playable over a m7, or is this it (+pentatonic&amp;blues)?</p>
<p>Thanks!:D</p>
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		<title>By: Littleboots</title>
		<link>http://playbassnow.com/playing-styles/fingerstyle/minor-7-chord-improvisation-with-scale-substitution/comment-page-1/#comment-3697</link>
		<dc:creator>Littleboots</dc:creator>
		<pubDate>Fri, 07 May 2010 07:54:47 +0000</pubDate>
		<guid isPermaLink="false">http://playbassnow.com/?p=3600#comment-3697</guid>
		<description>Marlow, you&#039;re the best. I can&#039;t tell you how awesome this site is. This site is by far one of the best examples of what the internet should be used for. 

I&#039;m broke right now but as soon as I get some monies you&#039;ll have some donations coming your way. ;)</description>
		<content:encoded><![CDATA[<p>Marlow, you&#8217;re the best. I can&#8217;t tell you how awesome this site is. This site is by far one of the best examples of what the internet should be used for. </p>
<p>I&#8217;m broke right now but as soon as I get some monies you&#8217;ll have some donations coming your way. <img src='http://playbassnow.com/wp-includes/images/smilies/icon_wink.gif' alt=';)' class='wp-smiley' /> </p>
]]></content:encoded>
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		<title>By: buju</title>
		<link>http://playbassnow.com/playing-styles/fingerstyle/minor-7-chord-improvisation-with-scale-substitution/comment-page-1/#comment-3691</link>
		<dc:creator>buju</dc:creator>
		<pubDate>Fri, 07 May 2010 03:22:47 +0000</pubDate>
		<guid isPermaLink="false">http://playbassnow.com/?p=3600#comment-3691</guid>
		<description>thanks you so much Marlow your lessons are the best.</description>
		<content:encoded><![CDATA[<p>thanks you so much Marlow your lessons are the best.</p>
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		<title>By: matt</title>
		<link>http://playbassnow.com/playing-styles/fingerstyle/minor-7-chord-improvisation-with-scale-substitution/comment-page-1/#comment-3660</link>
		<dc:creator>matt</dc:creator>
		<pubDate>Wed, 05 May 2010 16:55:37 +0000</pubDate>
		<guid isPermaLink="false">http://playbassnow.com/?p=3600#comment-3660</guid>
		<description>Great lesson! First one for me that has really cleared up the thinking behind modes and subs. 

Thank you.</description>
		<content:encoded><![CDATA[<p>Great lesson! First one for me that has really cleared up the thinking behind modes and subs. </p>
<p>Thank you.</p>
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