Ch11 Using Major triads in basslines

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This is a lesson 2 in this series, go to lesson 1 HERE or continue after this to lesson 3 HERE

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Im just playing the notes from the triads  in a fairly strict up and down fashion over the music in this exercise – in a real playing situation i would of course vary the patterns – mostly put emphasis on root notes, use other rhythms , add scale notes etc..

But this is for you to get equally comfortable with the third (3rd )  and the fifth (5th) as well as the root

Now we use the C, F and G Major triads in a chord progression

CFGC

Another way to learn this is by looking at at the chords as steps of the major scale (for explanation revisit lesson 1)

We are in the key of C so:
C Major is the 1st step of the C Major scale,
F Major is the 4th step of the C Major scale,
and G Major is the 5th step of the C Major scale

Optionally you could look at -The same chord sheet as above where numbers replaces the letters making it much easier to transpose

1451

The positions revisited:

The C , F and G Major triads played in different positions up to the 7th fret, please memorize them, you will gain a great advantage in being able to break out of the “only playing root notes” box
fretboard145

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gusabela said,


May 26, 2011 @ 7:09 am

It’s a good thing advertisers are recognizing the audience that you are able to reach… more power…


gusabela said,


May 26, 2011 @ 6:42 am

You are a blessing to me, a struggling bassist…


Nikko said,


November 4, 2009 @ 1:09 am

Cool. I wanted to see what you would do with this progression if it was given to you.


Nikko said,


November 3, 2009 @ 10:42 pm

This is exactly what I needed to practice this kind of playing. Thanks a ton!

Can I request something? Can you make a video of you improvising a bass line over this without restricting yourself in any way?
Sure , ill do that next


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MarloweDK: I dont know the song so i wouldnt know;-) But in general you need to be really good to play busy

hank: just heard the bassline to Gene Chandler's "Groovy Situation" Grooving bassline! My question is...Do you think it's too busy and would play something that busy in your band. I totally dig it but I imagine some people may think it is overdone. I'd like to read your thoughts. Keep up the great work!

MarloweDK: Thx Tonari, it was also a great experience to do

Tonari: Hi, Marlowe! I found on Youtube many recordings from Talkshowet Meyerheim, and in every video you are playing so cool lines. You are the best!

MarloweDK: Relatively low but without too much fretbuzz

MarloweDK: No I dont think so, sorry

TheNextBen: Hi Marlowe. What action height do you recommend for slapping on jazz bass (I know action is a VERY subjective matter) but anyway... thanks a lot. Lots of respect to you!

losgood: Hi Marlowe, Is the You Play Along site going to be back up at all?

MarloweDK: Lots of licks in Major, just transpose to F, on bass its easy. Search the site for Major

ttonkin: Marlowe, Do you have a lick in F major (on your site) that would sound 'right at around 134 BPMs? Thank you for your great work. Just joined the site.

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